Call it the Harlem cultural resurgence. On Manhattan's 125th Street, where a statue of Adam Clayton Powell Jr marches onwards and upwards, the area is buzzing with energy and excitement.
The renowned Apollo Theatre is in the middle of major renovations. The National Black Theatre is preparing to move into an $80M arts complex spanning a entire block. Additionally, the National Urban League recently opened a $250 million building containing its main offices, low-income residences and commercial areas.
“This structure declares to the world: Harlem matters; Black art matters; Black institutions matter,” remarked the leader of the board of trustees. “It will serve as a beacon on 125th Street, a place where creativity and community meet.”
The Studio Museum was founded by artists, activists, philanthropists and local residents to address the systemic exclusion of African American artists from established museums. It opened in a rented loft above an liquor store in the late 1960s, a traumatic year of assassinations, uprisings and societal transformation.
“This occasion resembles what it must have been like when it all began,” noted a institutional representative. “The museum was born in a time of change. The country was divided. People were marching. Creators were insisting to be recognized.”
The new $160M structure covers 82,000 square feet across seven levels. Designed by architectural firms, the building constitutes the first custom-designed space for the museum and nearly doubles its gallery and activity areas.
The building includes exhibition spaces, an large entrance hall, adaptable event areas, a specialized learning studio, a coffee shop and retail store, plus a rooftop terrace with panoramic city views. An impressive staircase, clad in terrazzo, occupies the central vertical gallery.
The inaugural programming showcases the museum's past, present and future with four major exhibitions. One exhibition features the first institutional career survey of innovative creator an electronic art pioneer, whose electronic light sculptures appeared in the museum's inaugural 1968 exhibition.
The museum's arrival feels especially meaningful during a period when inclusion programs, museums and the way Black history is presented face growing challenges. The city has recently elected a mayor who personifies the metropolis's multicultural character, and Harlem has a special ability for making cultural revival resemble resistance.
“This community has constantly transformed,” commented a longtime director. “It's a district that has been evolving since it was established. But this area has also been a community where African American culture has thrived.”
This institution honors its influential residency program with an former residents exhibition including notable names such as Kehinde Wiley, Mickalene Thomas and Titus Kaphar. The display mixes recently created works with older artworks spanning various periods.
Among new commissions are sonic installations and sculptural pieces. Metal containers created by artist Houston Conwill contain confidential testaments by prominent African American figures, originally interred in the museum's sculpture garden in 1984 and now on display with plans to be opened in the year 2034.
Visitors can explore an historical display of photographs and ephemera documenting the museum's history through its exhibitions, programs and programmes over nearly six decades. This rich history includes memorable moments ranging from royal visits to local presentations that together demonstrate the museum's lasting influence.